Back in 2022, I read an interesting little book called The Everlasting People. I wrote up a brief review on Goodreads and then went on with my life. And then I got a reply from the author, gently pushing back on some of my comments. It was a strange experience, which I wrote about here.

I thought about what the author – Dr. Matthew Milliner – wrote back to me and I decided I needed to re-read the book. Fast forward to 2024, and it became time for me to keep my promise. So a few weeks ago I cracked it open again and gave it a second reading.

I tried to have a more open and positive posture towards the book this time around. It really is a remarkable project, trying to adopt the general approach and insights of the inimitable G.K. Chesterton, and applying them to the Native peoples of the Americas (or Turtle Island), especially their art and mythology. Having just re-read Chesterton’s great book, The Everlasting Man, I was all set.

The book, derived from a set of lectures that were delivered, is made up of three chapters, followed by three ‘responses’. The first thing to say is that I learned so much from the book (in both readings). I learned a ton about First Nations history, a lot about Chesterton himself, and much about the surprising degree to which those early indigenous people accepted Christianity. The fact that I – along with most North Americans – do not know this history well is a sad testament to our particular blindness when it comes to these matters.

So the first reaction is a genuine lament for the way in which human persons, indeed entire communities and peoples, were mistreated, cheated, and wiped out by bloodthirsty men who too often claimed the name of Christ. Milliner is to be commended for the evenhanded way he did not ignore the sins and atrocities of First Nations people (a common enough manipulation of the story in our day of cultural self-hatred). The third respondent came closest to this particular malady of the mind, but we can just leave that to the side since it was written in 2020; one can still catch the aroma of the peak wokeness and racial angst convulsing our educated classes at the time.

One concern I had in my initial review, the usage of terms like whiteness, is still worthy of comment. Having read the book more carefully, I don’t really see any compromise here. And yet the cultural turmoil of recent years is necessarily the context into which this book must be understood, and everyone knows that a term like ‘whiteness’ is strongly coded as leftwing-progressive. Here at the end of 2024, it feels like the winds have shifted and the reactionary populism of the normies has rejected the progressive left’s project of anti-Western critical theories. So while I am happy to gloss over the term in my reading of the book, it’s inescapable that it will signal certain political and cultural alignments whether the author intends it to or not.

The meat of the book, however, is far more interesting that culture wars. The Mishipeshu (underwater panther) and Thunderbird (Animiki), two mythical creatures found within indigenous mythology, are explored for their evocative imagery and the way in which these figures were adapted by Native Christians. It is powerful to consider the Native Christian, sorrowful after so much suffering, persevering in Christ and expressing that faith in ways that are genuine to the best aspects of their culture. That is good missiology, and a good example of the kind of thing Chesterton loved.

The last chapter, which reflects on Chesterton’s poem about the Virgin Mary (The Queen of Seven Swords) as well as the medieval Virgin of the Passion (a suffering Virgin Mary, later renamed Our Lady of Perpetual Help), and how devotion to her permeated through the region where the Lenape people had once lived, was the hardest for me to wrap my head around.

But that’s okay. Gotta leave something for the third reading, I guess.